At the same time, any return to North Jersey has seemed nearly impossible for years given the 2013 death of James Gandolfini, the actor who played the famed antihero at the show’s center. The show, one of the most acclaimed in TV history, is arguably more popular than it’s ever been thanks to memes, conventions, podcasts, a fresh set of first-time viewers amid the pandemic, and younger generations who identify with its pitch-black humor and end-of-the-American-empire vibes. left in June 2007 under famously ambiguous circumstances. #WOKE UP LIKE THIS MOVIE REVIEW SERIES#Many Saints, the prequel film cowritten by Sopranos creator David Chase and directed by series veteran Alan Taylor, arrives in theaters and on HBO Max in a much different world than the one Tony and Co. “But that was much later.” In other words: This story will be familiar, but it won’t be what we’re used to. “After he murdered me, Tony gave my wife and infant daughter his pocket change,” he says. Reprising the role, actor Michael Imperioli’s voice immediately yanks viewers back into this world. The frame ultimately lands on a tombstone with a name that viewers of the famed HBO series will recognize: Christopher Moltisanti, Tony Soprano’s nephew and protégé who died at the hand of his uncle late in the show’s run. ![]() ![]() The camera pans through a cemetery, and as it passes each grave, voices from the beyond pile atop one another to create a cacophony of noise. The Many Saints of Newark opens with a choice that would’ve felt out of place in any episode of The Sopranos: voice-over narration from a long-dead character.
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